Combining the history of oil painting with the visual language of our contemporary lives, Davin Watne’s “Picture the Wall” is an installation of 38 paintings standing ten feet tall and spanning the width of the gallery.
With the upsurge of images being generated by photojournalists and social media outlets alike, “Picture the Wall” combines appropriated images, plein air observational works, and graphic representations of flags to consider contemporary methods of representing nationhood, history, and contemporary American life.
The installation collages these individual representations into an impassable wall; Watne creates a totalizing image from fragments. The combination of these fragments ultimately draws attention to the reality that each painting is an illusion, or construction, and not a transparent or unbiased viewpoint.
“Picture the Wall” is on view through June 24, 2017 at Haw Contemporary, 1600 Liberty, Kansas City, MO 64102
For more information, click here
For more on the artist, visit www.davinwatne.com
Through the physical act of painting, Stewart creates a place that attempts to be familiar, yet will always be distant and beyond reality. His process begins with an awareness of place and the way it is seen, experienced, and remembered. Through photographs and drawings, places of personal significance and transience are examined. These studies are abstracted through the improvisation and vocabulary of paint in a way that honors the locale while becoming something new. Schematic drawings, which represent fact and accuracy, are drawn from memory; memories filled with emotions and inaccurate accounts. The abstractions develop in unknown directions. They are improvised and intuitive, reactionary and resourceful, quick but authentic.
An opening reception will take place on June 2, 2017 at 6pm followed by a gallery talk with the artist on Wednesday, June 21st from 7 – 8 pm.
For more information on the exhibition, click here.
For more information on the artist, visit http://www.jasonmstewart.net/.
Todd Keyser’s use of constructed pictorial space maximizes the expressive potential found within both the self-imposed limitations chosen by the artist and the inherent constraints of working on a rectangular canvas. With his compositions rigorously decided, Keyser finds openness through engagement with the edge of the canvas and the physical space beyond the image. He says that the “intent [of his compositions]…is to suggest that more could be added to each painting…that the space beyond the painting can continue.”
His use of paint treatment, texture, and color vary from painting to painting, but occur within repeating, predetermined geometric structures. Through Keyser’s range of related versions, the viewer is reminded of the richness which can be experienced through variations on a theme which occur frequently in the world of music and, in the visual arts, that harken to Josef Albers’ chromatic painting series: “Homage to the Square.”
Open Plan will be on view from May 3 – 26, 2017 with an opening reception on Friday, May 5 from 5 – 7 pm.
Gross McCleaf Gallery
127 S. Sixteenth Street
Philadelphia, PA 19102
Gallery Hours: Tues.-Sat. 10 – 5
“Three Notions of Work” is an exhibition that grew out of an on-going dialogue that started between Laura Borneman, Nikki Moser and Dianne Pappas while at MICA. This conversation continues to challenge and test their work today.
Questions of home, neighborhood, and community in relation to inclusion and exclusion; research surrounding the historical intersection of philosophy, religion and architecture in our contemporary prison system; and the system of an archive as a means of self-organizing are distinct themes of the exhibition.
“Three Notions of Work” will be on view through April 29, 2017 at STEAMworks in Scranton, PA. For more information, please contact Nikki Moser at email@example.com.
“These paintings are rooted in graphology and semiotics, and begin as mere words. The form the text assumes responds to the content of the phrase; sometimes it is measured and precise, sometimes it’s scrawled and imperfect. They are meant to be seen in sunlight, under ultraviolet light. These works allow the viewers to control their experience: what is illuminated, what is unearthed, what remains buried or unexamined. This experiential series demonstrates the subjectivity of perception, the impossibility of a shared and common vision, and the deficiencies of language – its potential for vacuity, arbitrariness, and incomprehensibility.” -Sarah Clough
Opening on Friday, March 24, 2017, 7-8:30 pm, and on view through April 13, 2017
Gateway Building, 1601 W. Mount Royal Ave., Baltimore MD 21217
For more on the artist, visit www.sarahclough.com
“Elemental, universal, sustenance, beautiful, dangerous, the river and the woman merge and become one entity. Sharing a deep passion for the River Woman, our artists express their awe while raising awareness of the fragility and the amazing resilience of the rivers in our lives. “ – Nancy Cohen
This exhibit will feature new work by Nancy Cohen, Fritz Horstman, Ellen Kozak, and Kathleen Vance.
Opening of the exhibition River/Woman at ODETTA Gallery in Brooklyn on Saturday, March 18 from 6-8pm with an artists talk at the gallery on Sunday March 26 at 3pm.
ODETTA Gallery is located in Bushwick, Brooklyn, at 229 Cook St.
Additionally, Fritz Horstman was recently in conversation with MIT Geophysicist Daniel H. Rothman at deCordova Sculpture Park and Museum about water flow through natural landscapes.
Chesapeake Gallery at Harford Community College in Bel Air, MD presents “Poems from the Mountains”, a new series of paintings and poetry by Bart O’Reilly.
O’Reilly states: “The work comes from impulse. A desire to capture something as quickly and effectively as possible before moving on to the next set of unknowable circumstances. Not to act on the impulse means the next day the painting or the poem will be something entirely different. This is why most of these paintings and writings are the result of one intensive session. They are intricately bound up in the now, the instantaneous, the desire to articulate, the personal, perceptions of the external and the potential mixtures of all of these intensities. Forget and remember their original intention, then leave a door open for the next moment, always in a state of becoming.”
Chesapeake Gallery at Harford Community College is located at 401 Thomas Run Road, Bel Air, MD 21015
Opening reception and poetry reading on Thursday, March 9 from 5:30-7:00pm.
Exhibition on view through April 2, 2017.