In her site-specific installation When Our Breaths Run, Brooklyn-based interdisciplinary artist Emily Harris continues her exploration of the body, technology and time with breath.
Each glass form is a record of the shape of one continuous exhale into molten glass created by Megan Biddle, an artist and glassblower commissioned by Harris. A total of five of these glass pieces took shape through Megan’s breath, her movements, through the heated glass bulb, and the external conditions in the fabrication space.
Harris incorporates audio and video components within the installation space, as well as a set of drawings and interactive thread structures which reflect on breath through different technologies activated by the viewer.
This experience of the potential of one’s conscious physical presence in a chaotic social landscape is what moved Harris in the direction for this project. “Being perceptive and using your body simply, can be the most radical act,” she says.
When Our Breaths Run is on view by appointment through April 9, 2017 at North Willow in Montclair, NJ.
For more information on the artist, please visit www.emilymharris.com.
With the upsurge of images being generated by photojournalists and social media outlets alike, Davin Watne’s Picture the Wall combines appropriated images, plein air paintings, and graphic depictions of flags to consider contemporary methods of representing nationhood, history, and contemporary American life.
The history of oil painting is steeped in the rhetoric of power. Evidenced by painters like Jacques-Louis David, who created public relations campaigns for political figures like Napoleon, and Gilbert Stewart, who painted the iconic portrait of George Washington. Drawing from this legacy, Picture the Wall employs the same visual language to interrogate how we understand our contemporary times and our social landscape through the images produced today.
Picture the Wall will be on view through February 17, 2017 at Quigley Gallery, Western State Colorado University in Gunnison, CO.
Artist’s lecture will take place at Kincaid Concert Hall on Thursday, January 26, 2017 at 12:30pm.
For more information on the artist, visit www.davinwatne.com
An exhibition of new graphite drawings: shadows of shafts of Big Bluestem beneath a gun taken apart, shadows of Tulip Poplar saplings, crumbling wood of an apple tree struck by lightning, a torn metal fence. A residue of maps, marking territory: the geography of agitation and vibration.
Reception on Sunday December 4, 2016 from 2:00pm – 5:00pm.
Project1628 is located at 1628 Bolton Street, Baltimore MD 21217.
Open by appointment through January 29, 2017. Contact the artist directly.
For more information on the artist, visit www.reneevanderstelt.com.
Part product launch, part exhibition, part interactive event, “Reserved for Engineering” is a meditation on the speed, quantity, and spectacle of production and distribution. Wallace intervenes in these systems by addressing labor through the self-created company “Amazing”, recording testimonials of employees hired by the artist, and displaying a video of the first delivery of artwork by drone. Viewers will shuffle through the gallery turned Fulfillment Center, navigating a space of customized pizza boxes, drone surveillance, and employees sorting and stocking cultural goods, all the while feeding the network created by the space that is “Reserved for Engineering”.
This Friday or Next Friday is at 89 Bridge Street, Brooklyn, NY 11201.
On view through December 2, 2016.
By appointment: email@example.com
To read the review in Art Critical of Wallace’s recent solo exhibition “If This, Then What” at ART 3, click here. You can view installation photos on ART 3 Gallery’s website
For more information on the artist, visit www.brettwallace.com
November 13 and 14, 2016 from 10am-6pm, a pop-up exhibition of 7 outdoor works by Renee van der Stelt will be on view. Please contact firstname.lastname@example.org for details and location.
An enacted drawing will be performed at 12:00pm and 4:00pm on Sunday, November 13.
Artists who have organized their own exhibitions feel that one distinct advantage is their control over how the work is seen. With most artist-organized exhibitions there are no pre-imposed curatorial themes and fewer restrictions. In some cases safety, security, and other restrictions are imposed by the owners of the property where the work is exhibited. However, in all cases the artist- organizers expressed the feeling that these shows were more experimental and provided artists more freedom to try out new ideas. – Jane Ingram Allen, Sculpture Magazine, 1996.
In Rhizomes of Place, everyday materials like duct tape and cardboard, wood and paint are assembled into a site specific installation to communicate notions of “place.” Stewart says “I am interested in addressing the distinctions of place and its ever changing context through a poly-vocal and multi-modal practice.” Through the action of recycling previous sculptures and presentation formats, adding a new voice to the cluster of works, coopting the attic-space as another piece and provoking the viewers to reflect on their own positioning within this dialogue, Stewart neatly explores and plays with his subject.
This exhibition will be on view through December 19, 2016 with a reception and artist conversation moderated by Emily Harris (MFAST ‘13) on Saturday, November 5th, 2-6pm.
For more information, visit jasonmstewart.net and northwillows.com.
Using very different approaches, both artists make work about the fundamental connotations of physical sensation. In this exhibition, visitors are invited to participate and question the boundaries of their optic and haptic experiences. The artists explore the concept of what is happening “below the surface”, interpreted through refracted light, semiotics, layered textures, or the ground on which we stand.
On November 4th, during First Fridays in Hampden, there will be an opening reception from 6-8pm followed by sound/musical performances from 8-10pm including Brooklyn based There Are No Thieves in This Town. The exhibition remains on view through the month of November.
Make Studio is located at 326 Keswick Rd., Baltimore, MD 21211
For more information on the artists, visit erinbarach.com and sarahcloughchambers.com.